Vassilis Georgiou https://ateliergeorgiou.com Vassilis Georgiou Fri, 08 May 2026 09:26:40 +0000 https://ateliergeorgiou.com en Jan https://ateliergeorgiou.com/Jan Fri, 08 May 2026 09:26:40 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Jan <img width="1240" height="1754" width_o="1240" height_o="1754" data-src="https://freight.cargo.site/t/original/i/8832ea75042e4fcff5154faef95e10c6b7e201aefa5dceee5d20d80c56e3eb50/Jan-Typeface-Specimen1.png" data-mid="248022681" border="0" src="https://freight.cargo.site/w/1000/i/8832ea75042e4fcff5154faef95e10c6b7e201aefa5dceee5d20d80c56e3eb50/Jan-Typeface-Specimen1.png" /> ︎Jan︎ is a type family designed digitally for exclusive use by ︎Doma Books︎ It consists of two styles —upright and italic— and features Greek monotonic and polytonic character sets as well as small capitals, in order to serve every typesetting need. *Jan* also features an extensive Latin character set as well as all the necessary figure styles, a full set of punctuation marks, symbols, arrows and some typographic ornaments. <img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/a972362c6f7aa609e04057f4a7fae68d3b61a9f4c71730973e44bd46fe053bc1/Jan-Typeface-Specimen2.png" data-mid="248022682" border="0" src="https://freight.cargo.site/w/1000/i/a972362c6f7aa609e04057f4a7fae68d3b61a9f4c71730973e44bd46fe053bc1/Jan-Typeface-Specimen2.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/dda90f11fbd812ebb2288de56246bf014ac85437950255ff78cc2ecea931200b/Jan-Typeface-Specimen3.png" data-mid="248022683" border="0" src="https://freight.cargo.site/w/1000/i/dda90f11fbd812ebb2288de56246bf014ac85437950255ff78cc2ecea931200b/Jan-Typeface-Specimen3.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/d08651320f68300a641a0ec675b65e854db177ad6560d1a9d717b6504fc594b0/Jan-Typeface-Specimen4.png" data-mid="248022684" border="0" src="https://freight.cargo.site/w/1000/i/d08651320f68300a641a0ec675b65e854db177ad6560d1a9d717b6504fc594b0/Jan-Typeface-Specimen4.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/846ab2ec30ef14c69f346d668e8c02898b4c78764890f2159b62ebddf83b0569/Jan-Typeface-Specimen5.png" data-mid="248022685" border="0" src="https://freight.cargo.site/w/1000/i/846ab2ec30ef14c69f346d668e8c02898b4c78764890f2159b62ebddf83b0569/Jan-Typeface-Specimen5.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/66a8ac24531649323a417b99f540491643c585b4b9ceb10a88eb9776a6fdd7de/Jan-Typeface-Specimen6.png" data-mid="248022686" border="0" src="https://freight.cargo.site/w/1000/i/66a8ac24531649323a417b99f540491643c585b4b9ceb10a88eb9776a6fdd7de/Jan-Typeface-Specimen6.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/78929b5d29d0500dbe95fbbd4795ea5b99a7022a9f3a2f07a97bdb941fc6373c/Jan-Typeface-Specimen7.png" data-mid="248022687" border="0" src="https://freight.cargo.site/w/1000/i/78929b5d29d0500dbe95fbbd4795ea5b99a7022a9f3a2f07a97bdb941fc6373c/Jan-Typeface-Specimen7.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/5d08653aff05e7d505d59114f60ef9f9a55d2ea7dbaa51ef1612e2f850628072/Jan-Typeface-Specimen8.png" data-mid="248022688" border="0" src="https://freight.cargo.site/w/1000/i/5d08653aff05e7d505d59114f60ef9f9a55d2ea7dbaa51ef1612e2f850628072/Jan-Typeface-Specimen8.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/646418fa8c64277bd0e07aee08e65ee3666ce2cac4775d3f7693ae9dfaad7a5d/Jan-Typeface-Specimen9.png" data-mid="248022689" border="0" src="https://freight.cargo.site/w/1000/i/646418fa8c64277bd0e07aee08e65ee3666ce2cac4775d3f7693ae9dfaad7a5d/Jan-Typeface-Specimen9.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/ce0ecbbbbe0ac54999a0fa135f3da9a94912ea9ef1ff760dd9e782cb002f1c6e/Jan-Typeface-Specimen10.png" data-mid="248022690" border="0" src="https://freight.cargo.site/w/1000/i/ce0ecbbbbe0ac54999a0fa135f3da9a94912ea9ef1ff760dd9e782cb002f1c6e/Jan-Typeface-Specimen10.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/d36435cca426572f910d43d6922f82cef2eed0aff9ab947dac6d43d9c6055ddf/Jan-Typeface-Specimen11.png" data-mid="248022691" border="0" src="https://freight.cargo.site/w/1000/i/d36435cca426572f910d43d6922f82cef2eed0aff9ab947dac6d43d9c6055ddf/Jan-Typeface-Specimen11.png" /><img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/2b7290b4cd7d7f61c46212e4fe369f8134120b0145976bd9d5afa806397794a8/Jan-Typeface-Specimen12.png" data-mid="248022692" border="0" src="https://freight.cargo.site/w/1000/i/2b7290b4cd7d7f61c46212e4fe369f8134120b0145976bd9d5afa806397794a8/Jan-Typeface-Specimen12.png" /> Claude Garamond’s name is firmly associated with France’s rise to leadership in type casting in the sixteenth century. Jan’s upright Latin drawings are based on the French engraver’s famous typeface models, while the italics are based on types designed by his contemporary Robert Granjon. The Greek character set, however, is not based on Garamond’s infamous Grecs du roi, but rather are modern designs, loosely inspired by classic models of Greek typography: the upright from *Elsevier* and the italic from *Leipzig* ¶ The name *Jan* is a tribute to Jan Tschichold, the German typographer who played a fundamental role in the development of modern graphic design in the 20th century and, in the 1960s, designed *Sabon* —a revival of Garamond— which was used by ︎Doma Books︎ before Jan was created. <img width="2480" height="1754" width_o="2480" height_o="1754" data-src="https://freight.cargo.site/t/original/i/25ddffe58e5f3df45a5fe16d3db79255bb504c7f99f2dcf6a180f67cb2b7353e/Jan-Typeface-Specimen15.png" data-mid="248022695" border="0" src="https://freight.cargo.site/w/1000/i/25ddffe58e5f3df45a5fe16d3db79255bb504c7f99f2dcf6a180f67cb2b7353e/Jan-Typeface-Specimen15.png" /> Tependris Regular https://ateliergeorgiou.com/Tependris-Regular Thu, 07 May 2026 13:17:46 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Tependris-Regular A few –out of context– Kierkegaard aphorisms, set in ︎︎︎Tependris Regular︎︎︎ a custom typeface, based on Konstantin Kakanias’ distinctive lettering style. <img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/2d12a4332b10319ba8b53679e91ee85eba7f35e557b650f47a8d0064d301f100/TEPENDRISxKIERKEGAARD_POST1.png" data-mid="247994496" border="0" src="https://freight.cargo.site/w/1000/i/2d12a4332b10319ba8b53679e91ee85eba7f35e557b650f47a8d0064d301f100/TEPENDRISxKIERKEGAARD_POST1.png" /><img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/eaee37398bd6c090a10b6d4903e8d106e685feb0b2000b60ac671988897b2941/TEPENDRISxKIERKEGAARD_POST2.png" data-mid="247994497" border="0" src="https://freight.cargo.site/w/1000/i/eaee37398bd6c090a10b6d4903e8d106e685feb0b2000b60ac671988897b2941/TEPENDRISxKIERKEGAARD_POST2.png" /><img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/3a04357a61fdfe6f1504574c791cbb09e629588b652523a86403bc2c6fd7585d/TEPENDRISxKIERKEGAARD_POST3.png" data-mid="247994498" border="0" src="https://freight.cargo.site/w/1000/i/3a04357a61fdfe6f1504574c791cbb09e629588b652523a86403bc2c6fd7585d/TEPENDRISxKIERKEGAARD_POST3.png" /><img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/45a0fa3ba69a9958b1d5582e2d61ecb4cdeac7f7b33d7e37fbb040b4ddf806d6/TEPENDRISxKIERKEGAARD_POST4.png" data-mid="247994499" border="0" src="https://freight.cargo.site/w/1000/i/45a0fa3ba69a9958b1d5582e2d61ecb4cdeac7f7b33d7e37fbb040b4ddf806d6/TEPENDRISxKIERKEGAARD_POST4.png" /><img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/cffe0dce7f8c3953ead0a76ab27e681b2845b6da4162b50deaa007b918cd6c35/TEPENDRISxKIERKEGAARD_POST5.png" data-mid="247994500" border="0" src="https://freight.cargo.site/w/1000/i/cffe0dce7f8c3953ead0a76ab27e681b2845b6da4162b50deaa007b918cd6c35/TEPENDRISxKIERKEGAARD_POST5.png" /><img width="4000" height="2250" width_o="4000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/3e71cc985f8a43a1a80ca9779e7cf9718d6b70a993514e3cefdf324acf2508e6/TEPENDRISxKIERKEGAARD_POST6.png" data-mid="247994501" border="0" src="https://freight.cargo.site/w/1000/i/3e71cc985f8a43a1a80ca9779e7cf9718d6b70a993514e3cefdf324acf2508e6/TEPENDRISxKIERKEGAARD_POST6.png" /> ︎︎︎Tependris Regular︎︎︎, a typeface designed exclusively for the book ︎ Mrs Tependris – A life in Vogue Greece ︎ by ︎Konstantin Kakanias︎, published by ︎Kathimerini <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/29f946f73b6da599433f52a7c9b664596cefa1ac5c12f5c3da8de67e7bf82974/TEPENDRISxKIERKEGAARD_POST7.png" data-mid="247994578" border="0" src="https://freight.cargo.site/w/1000/i/29f946f73b6da599433f52a7c9b664596cefa1ac5c12f5c3da8de67e7bf82974/TEPENDRISxKIERKEGAARD_POST7.png" /> Moros https://ateliergeorgiou.com/Moros Thu, 07 May 2026 10:55:46 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Moros Massimo Vignelli’s “five fonts idea” is a famous design philosophy advocating that a designer only needs a very limited selection of high-quality, classic typefaces to create effective, timeless work. Vignelli argued that the massive proliferation of typefaces was “visual pollution” and that designers should focus on mastery of a few, rather than experimenting with thousands. ¶ ︎︎︎ MOROS ︎︎︎ stands on the opposite to Vignelli’s idea. It is not a joke. It is a reverse blood dripping grotesque typeface. Because, sometime, a designer may need it. <img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/5c29293b2fb797e6fd7f4f54031af8726a9e6dab12773918c92a19ff08442a13/moros-introduction-facebook-post1.png" data-mid="247989619" border="0" src="https://freight.cargo.site/w/1000/i/5c29293b2fb797e6fd7f4f54031af8726a9e6dab12773918c92a19ff08442a13/moros-introduction-facebook-post1.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/82dc55af14ad5588d07d5320205b4e77172b68d26927edf06f530d5defea1b3e/moros-introduction-facebook-post2.png" data-mid="247989620" border="0" src="https://freight.cargo.site/w/1000/i/82dc55af14ad5588d07d5320205b4e77172b68d26927edf06f530d5defea1b3e/moros-introduction-facebook-post2.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/e27c4f4123dda2765596253323c1e7d6682eded51a9f813b3807a623e0c45110/moros-introduction-facebook-post3.png" data-mid="247989621" border="0" src="https://freight.cargo.site/w/1000/i/e27c4f4123dda2765596253323c1e7d6682eded51a9f813b3807a623e0c45110/moros-introduction-facebook-post3.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/55b128e372e88e8e624a163f92f72a929d0d772b8c233cb0fc51a8c05aa97872/moros-introduction-facebook-post4.png" data-mid="247989622" border="0" src="https://freight.cargo.site/w/1000/i/55b128e372e88e8e624a163f92f72a929d0d772b8c233cb0fc51a8c05aa97872/moros-introduction-facebook-post4.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/bbf1bdf8729165065d3b48e558407b2c82588169b3dc0869ca09692e84af6347/moros-introduction-facebook-post5.png" data-mid="247989623" border="0" src="https://freight.cargo.site/w/1000/i/bbf1bdf8729165065d3b48e558407b2c82588169b3dc0869ca09692e84af6347/moros-introduction-facebook-post5.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/0a9bb0a4922381bdba90bd68a0be70ccdca947b0d10fa23c50c6cc6426ce6175/moros-introduction-facebook-post6.png" data-mid="247989624" border="0" src="https://freight.cargo.site/w/1000/i/0a9bb0a4922381bdba90bd68a0be70ccdca947b0d10fa23c50c6cc6426ce6175/moros-introduction-facebook-post6.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/2ceed9aed028ba4ceea4d5e646cae579101473b6297716b9a06fbcd32b7d9ab3/moros-introduction-facebook-post7.png" data-mid="247989625" border="0" src="https://freight.cargo.site/w/1000/i/2ceed9aed028ba4ceea4d5e646cae579101473b6297716b9a06fbcd32b7d9ab3/moros-introduction-facebook-post7.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/dca9afea44b2ab5de97fbe14b1e56282d1cf2580c286a054fda3769d8b9d524e/moros-introduction-facebook-post8.png" data-mid="247989626" border="0" src="https://freight.cargo.site/w/1000/i/dca9afea44b2ab5de97fbe14b1e56282d1cf2580c286a054fda3769d8b9d524e/moros-introduction-facebook-post8.png" /><img width="4500" height="4500" width_o="4500" height_o="4500" data-src="https://freight.cargo.site/t/original/i/811d0bf2a6a9c7e1b572593241787581e6c727c9dece5523057a3bcb5d96455e/moros-introduction-facebook-post9.png" data-mid="247989627" border="0" src="https://freight.cargo.site/w/1000/i/811d0bf2a6a9c7e1b572593241787581e6c727c9dece5523057a3bcb5d96455e/moros-introduction-facebook-post9.png" /> Hydro https://ateliergeorgiou.com/Hydro Fri, 14 Jul 2023 12:02:45 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Hydro ︎︎︎HYDRO︎︎︎ is a geometric typeface designed for ︎&nbsp;EYDAP’s Historical Archive&nbsp;︎ The starting point for its study and design was the rich material included in the Archive: a series of technical and construction plans and diagrams, which reflect the diligence, precision and technique of the engineers of the 1930s. <img width="2000" height="1081" width_o="2000" height_o="1081" data-src="https://freight.cargo.site/t/original/i/13a9dedc91243079982d4088fb6bc17664f3a649686e6398d9e10ace395f5fbb/HYDRO-01.jpg" data-mid="185052379" border="0" data-no-zoom src="https://freight.cargo.site/w/1000/i/13a9dedc91243079982d4088fb6bc17664f3a649686e6398d9e10ace395f5fbb/HYDRO-01.jpg" /> Detail from the Marathon Dam’s blueprint legend, showing the lettering that was the reference for the design of HYDRO. ︎“Mechanical” letters The letters in the legend of the Marathon Dam blueprint are hand drawn, not printed. Their texture testifies the method of their drawing – the traces of the outlines as well as their fill. India ink, technical pen, ruler and compass. They are letters made with the simple mechanical means of the time. Lettering was an essential skill for a draftsman, for presentation of a complete technical drawing. The standard styles of lettering used on this type of drawings are geometric, created with the ruler and compass; form is defined by the tools used. <img width="1890" height="1470" width_o="1890" height_o="1470" data-src="https://freight.cargo.site/t/original/i/f004bb64ae5812b659c6564eeecb53d4e0b44e0969206d3fa0b5a40db0a7e244/HYDRO-02.png" data-mid="185055443" border="0" src="https://freight.cargo.site/w/1000/i/f004bb64ae5812b659c6564eeecb53d4e0b44e0969206d3fa0b5a40db0a7e244/HYDRO-02.png" /> Various models of&nbsp; lettering, from drawings in the collection of&nbsp; EYDAP’s Historical Archive, 1930s. <img width="1648" height="1359" width_o="1648" height_o="1359" data-src="https://freight.cargo.site/t/original/i/e667c1eeb76629049633e6adab5cded0e069f0eabc1006e6b31b58cf845aa35e/HYDRO-03.png" data-mid="185056227" border="0" src="https://freight.cargo.site/w/1000/i/e667c1eeb76629049633e6adab5cded0e069f0eabc1006e6b31b58cf845aa35e/HYDRO-03.png" /> Looking for corresponding typographic examples from the same time period, one finds that examples such as those pictured here have an aesthetic affinity with the lettering used on the technical drawings. These are also products of the Modernism era and belong to the grotesque category, they are low contrast fonts, without serifs. They are designs that also reflect the ruler and the compass rather than the calligraphic pen and handwriting. <img width="2000" height="2566" width_o="2000" height_o="2566" data-src="https://freight.cargo.site/t/original/i/d4d8296fbcb021572194fae6b756d6f9213bd514eaed061bc905b73723c76c34/HYDRO-04.jpg" data-mid="185058466" border="0" src="https://freight.cargo.site/w/1000/i/d4d8296fbcb021572194fae6b756d6f9213bd514eaed061bc905b73723c76c34/HYDRO-04.jpg" /> The engraved inscription from the effigy of the The Athenian Treasury at Delphi, which was built at the base of the Marathon Dam. Source: EYDAP’s Historical Archive. In Greece, during the 20th century, grotesque typefaces were usually called ︎ archaic ︎. Perhaps because their creators discerned in them a connection with the&nbsp; ancient epigraphic letters that have been preserved engraved on stone – perhaps, simply, because they considered them simplistic, compared to the calligraphic Byzantine ones. Be that as it may, the geometric model of the Greek letter survived – at least in inscriptions – until the 20th century, in multiple variations and in many applications, as its simple, geometric forms make it suitable for use, both in neoclassical and modern architecture. ︎The mechanics of typography In typographic design there are “behind the scenes” processes that are meant to trick the eye, visual corrections that are made to bring consistency and uniformity to the entire alphabet. Part of designing typefaces is managing this eternal friction between geometric fidelity and visual relevance. Absolute dependence on mathematical measurements is abandoned. The horizontal, vertical and diagonal strokes are not of equal thickness, although they appear to be. Circular and triangular forms are drawn slightly larger than squares in order to appear equivalent in volume. All these features are not found in the lettering models of the mechanic’s technical drawings. This is obvious if we compare the two most characteristic examples of the modernist period: Herbert Bayer’s Universal Alphabet and Paul Renner’s Futura typeface. Both are turning points in letter design, but Renner’s typographic designs are the ones that, due to the optical corrections, look correct and are the ones that have retained their power to this day, still being used extensively in modern typography. <img width="1200" height="880" width_o="1200" height_o="880" data-src="https://freight.cargo.site/t/original/i/13270fd34d774cb81eb385dc0091b58722d38113f87722614f91ff132e4fb1dd/HYDRO-05.jpg" data-mid="185061348" border="0" src="https://freight.cargo.site/w/1000/i/13270fd34d774cb81eb385dc0091b58722d38113f87722614f91ff132e4fb1dd/HYDRO-05.jpg" />Herbert Bayer's designs for his Universal Alphabet, 1926. <img width="1200" height="1418" width_o="1200" height_o="1418" data-src="https://freight.cargo.site/t/original/i/42dd47fd15ddb9abc136044220a50a8ee64a27c0c78b4084c015232d485da071/HYDRO-06.jpg" data-mid="185061421" border="0" src="https://freight.cargo.site/w/1000/i/42dd47fd15ddb9abc136044220a50a8ee64a27c0c78b4084c015232d485da071/HYDRO-06.jpg" />Image from the first specimen book of the typeface Futura, 1927. <img width="1916" height="805" width_o="1916" height_o="805" data-src="https://freight.cargo.site/t/original/i/573f247dfaf48b539359cb6ee036ad10c2eb3741bc2b7ff545a6d2de809f39c2/HYDRO-07.jpg" data-mid="185557367" border="0" src="https://freight.cargo.site/w/1000/i/573f247dfaf48b539359cb6ee036ad10c2eb3741bc2b7ff545a6d2de809f39c2/HYDRO-07.jpg" /> The inscription at the base of Trajan's Column, Rome, 113 AD ︎ Rhythm and proportions Typography is a game of black and white. The unified image of a body of text is determined by the individual proportions of the letters and a smooth reading pace is achieved through those harmonious proportions. This issue has concerned designers for centuries. It is generally accepted that one of the best models of capital letters are those carved on Trajan’s Column in Rome. Observing these letters, one can see that they can be divided into two categories, according to their width: some are wide and some are narrow. By following this specification, we can ensure a correct pace in reading the text, without visual glitches in our composition. <img width="2000" height="384" width_o="2000" height_o="384" data-src="https://freight.cargo.site/t/original/i/da0402873a24094811c1600d6c6c7a140fa55e38342b32d94d7851b344f75832/HYDRO-08.jpg" data-mid="185557857" border="0" src="https://freight.cargo.site/w/1000/i/da0402873a24094811c1600d6c6c7a140fa55e38342b32d94d7851b344f75832/HYDRO-08.jpg" />The separation of the alphabet by width, in the Trajan typeface designed by Carol Twombly in 1989. Above the wide letters, below the narrow ones. By observing the letters in the EYDAP blueprint legend, one finds several “dissonances” in terms of their width. The mechanical letters of the technical drawings tend to be drawn inscribed in a square, which results to a visual imbalance, as well as in the reading rhythm. Rho is a typical example. In the image on the right, above, we see the original form, while below the form it should have – at least in a font that favors smooth reading. <img width="500" height="1000" width_o="500" height_o="1000" data-src="https://freight.cargo.site/t/original/i/c8c08f39ebe0a6fe5d3024785ec619d971fd6c8d4822c9af98d9ab4c18e5d04c/Rho.jpg" data-mid="247987757" border="0" data-scale="56" src="https://freight.cargo.site/w/500/i/c8c08f39ebe0a6fe5d3024785ec619d971fd6c8d4822c9af98d9ab4c18e5d04c/Rho.jpg" />Above: the original form.Below: the ideal form. ︎The lowercase letters In addition to rationalizing the capital letters of a font, and in order to be suitable for use at small sizes, for long texts, lowercase letters are also required. For the Greek alphabet, the two most prevalent reference models of the past in the category of sans serif fonts are Gill Sans (made by the design studios of Monotype) and Olympia (a Greek variant of the very popular Latin Futura), with the latter having the greatest affinity with the capitals of our sample. The rigorous evaluation of these models, combined with the tools of modern font design technology, constituted the two main pillars in the design of HYDRO.<img width="1108" height="474" width_o="1108" height_o="474" data-src="https://freight.cargo.site/t/original/i/5761c2d09a8c1ab839cf0ebc146eee6f0c047ddf73ed5db0b829d7f2ce737aaf/lowercase.jpg" data-mid="247988058" border="0" src="https://freight.cargo.site/w/1000/i/5761c2d09a8c1ab839cf0ebc146eee6f0c047ddf73ed5db0b829d7f2ce737aaf/lowercase.jpg" />Above: Gill Sans Greek Upright 572, from a Monotype specimen.Below: Olympia in a specimen from the Karpathakis type foundry.Source: Archivesofdesign.gr<img width="5179" height="2913" width_o="5179" height_o="2913" data-src="https://freight.cargo.site/t/original/i/939fb61d0ed75bdc1630088d8f1327811ced6999e7bf36c7f570d1f8b9d17402/a.png" data-mid="247988184" border="0" src="https://freight.cargo.site/w/1000/i/939fb61d0ed75bdc1630088d8f1327811ced6999e7bf36c7f570d1f8b9d17402/a.png" /> ︎A new typeface HYDRO is a geometric sans serif typeface, designed in three weights: regular, medium and bold – a basic set that can support quite complex publication needs.<img width="5179" height="2053" width_o="5179" height_o="2053" data-src="https://freight.cargo.site/t/original/i/c9dc5fc056c806d98fa7bdd071e971ecc71ddd37e9c95f5b90e082ce34f38153/sample3.png" data-mid="247988769" border="0" src="https://freight.cargo.site/w/1000/i/c9dc5fc056c806d98fa7bdd071e971ecc71ddd37e9c95f5b90e082ce34f38153/sample3.png" />The typeface was digitally designed and fully supports the Greek monotonic character set. It also includes a Latin character set, figures, symbols, punctuation marks and accents, making it suitable for use with any European language that uses the Latin alphabet. In addition, the letterforms of the original design were retained as stylistic alternatives for use at large sizes. <img width="5179" height="2913" width_o="5179" height_o="2913" data-src="https://freight.cargo.site/t/original/i/1d7e91ef087f95021ebde3f0201711946fe56d201179f2eb2e049a036f13b5f4/sample1.png" data-mid="247988887" border="0" src="https://freight.cargo.site/w/1000/i/1d7e91ef087f95021ebde3f0201711946fe56d201179f2eb2e049a036f13b5f4/sample1.png" /> <img width="5179" height="2913" width_o="5179" height_o="2913" data-src="https://freight.cargo.site/t/original/i/d8ca856466cb4e7d04cf31944b5c32584eb9327a7573d170300e3110a9c772ed/sample2.png" data-mid="247988888" border="0" src="https://freight.cargo.site/w/1000/i/d8ca856466cb4e7d04cf31944b5c32584eb9327a7573d170300e3110a9c772ed/sample2.png" /> <img width="5179" height="2913" width_o="5179" height_o="2913" data-src="https://freight.cargo.site/t/original/i/ec23d10f6ed5d4fb53284af5135f703d1460b146274dea1c1358d332dcd8f8a9/sample5.png" data-mid="247988897" border="0" src="https://freight.cargo.site/w/1000/i/ec23d10f6ed5d4fb53284af5135f703d1460b146274dea1c1358d332dcd8f8a9/sample5.png" /> <img width="4173" height="2053" width_o="4173" height_o="2053" data-src="https://freight.cargo.site/t/original/i/e2d69804545c8163710174ed65a8f7fbc29d2f81bef837bbffcb407b7e1b03ff/sample4.png" data-mid="247988898" border="0" src="https://freight.cargo.site/w/1000/i/e2d69804545c8163710174ed65a8f7fbc29d2f81bef837bbffcb407b7e1b03ff/sample4.png" /> The typeface was designed in 2022 and was produced by the ︎ EYDAP’s Historical Archive ︎ , with art direction by ︎ Christopher Brelis ︎ It is available for download ︎&nbsp;here ︎ under the SIL Open Font Licence. <img width="845" height="1020" width_o="845" height_o="1020" data-src="https://freight.cargo.site/t/original/i/30a50b72406919ffd206d3e61af8422b91c09b6d0186acd677a7d280b5fe46e2/0704.jpg" data-mid="247989272" border="0" data-scale="64" src="https://freight.cargo.site/w/845/i/30a50b72406919ffd206d3e61af8422b91c09b6d0186acd677a7d280b5fe46e2/0704.jpg" /> Ajax https://ateliergeorgiou.com/Ajax Mon, 28 Mar 2022 07:55:28 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Ajax <img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/7a775ef43092c9ff8936400e958df5ad38f58c3902b3e4805f4256e62241a08f/font-sample.png" data-mid="137758951" border="0" src="https://freight.cargo.site/w/1000/i/7a775ef43092c9ff8936400e958df5ad38f58c3902b3e4805f4256e62241a08f/font-sample.png" /> ︎︎︎ AJAX ︎︎︎ is a Latin monospace display typeface. The forms of the letters, roughly painted with a flat brush, are inspired by Ancient Greek models. The typeface was designed on demand for ︎The Stimuleye︎ to be used for the opening titles, the chapters introduction and the end credits of the film I WANT, a durational performance &amp; film collaboration by ︎&nbsp;Antoine Asseraf ︎ René Habermacher and ︎ Lynsey Peisinger <img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/bdcae2fdcda0d8018c698d8ede52eb74ef4fb876dddc4360186cacb2cadc9880/font-sample2.png" data-mid="137758953" border="0" src="https://freight.cargo.site/w/1000/i/bdcae2fdcda0d8018c698d8ede52eb74ef4fb876dddc4360186cacb2cadc9880/font-sample2.png" /><img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/0ba6740b1e3eca883ceaa8bce918c02a768ea273a390566f9e73391fd9615ab1/font-sample3.png" data-mid="137758954" border="0" src="https://freight.cargo.site/w/1000/i/0ba6740b1e3eca883ceaa8bce918c02a768ea273a390566f9e73391fd9615ab1/font-sample3.png" /><img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/084a23327f2f727fb744abe6dc6803add66bf471a2c426f11e0ce78153489a5c/font-sample4.png" data-mid="137758992" border="0" src="https://freight.cargo.site/w/1000/i/084a23327f2f727fb744abe6dc6803add66bf471a2c426f11e0ce78153489a5c/font-sample4.png" /><img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/5a0b99204961b44d796889ba5c3e575de34e3114d0505721ea1a36efb674b38d/font-sample5.png" data-mid="137758993" border="0" src="https://freight.cargo.site/w/1000/i/5a0b99204961b44d796889ba5c3e575de34e3114d0505721ea1a36efb674b38d/font-sample5.png" />This is a promotional poster&nbsp;︎︎︎ <img width="1920" height="2882" width_o="1920" height_o="2882" data-src="https://freight.cargo.site/t/original/i/6496598a5376c972a0f0e51ee40f3b4f1ee7f2dcc7d534692ca666f41f4f96cd/I-WANT_Poster.png" data-mid="248050287" border="0" src="https://freight.cargo.site/w/1000/i/6496598a5376c972a0f0e51ee40f3b4f1ee7f2dcc7d534692ca666f41f4f96cd/I-WANT_Poster.png" /> Billy Script https://ateliergeorgiou.com/Billy-Script Sun, 27 Mar 2022 21:50:23 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Billy-Script <img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/b83dede12573a7f292067345f797821c3fc9c2f2841e987423c882b36ff4aa6d/ekastos-topos.png" data-mid="137731846" border="0" src="https://freight.cargo.site/w/1000/i/b83dede12573a7f292067345f797821c3fc9c2f2841e987423c882b36ff4aa6d/ekastos-topos.png" /><img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/545e4069d4180b0aaece822bb9b51fd8a52f857e4971829b6aa9c05651154e51/ekastos-topos2.png" data-mid="137731875" border="0" src="https://freight.cargo.site/w/1000/i/545e4069d4180b0aaece822bb9b51fd8a52f857e4971829b6aa9c05651154e51/ekastos-topos2.png" /> <img width="5000" height="2500" width_o="5000" height_o="2500" data-src="https://freight.cargo.site/t/original/i/fa8cf7f3ab0226f771b804b700885f36a98e5856083c6ba2e9ab397479ee3673/ekastos-topos3.png" data-mid="137731908" border="0" src="https://freight.cargo.site/w/1000/i/fa8cf7f3ab0226f771b804b700885f36a98e5856083c6ba2e9ab397479ee3673/ekastos-topos3.png" /> Billy Script is a bespoke typeface, designed for&nbsp;︎ Kathimerini&nbsp;︎ editions. It resembles casual handwriting and comes with lots of alternates for every character <img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/bf7956b2f24c84b757540840f1f5fc333d74c3a8345dd1c87febf19d282e6100/Billy-Script-Specimen01.png" data-mid="137732166" border="0" src="https://freight.cargo.site/w/1000/i/bf7956b2f24c84b757540840f1f5fc333d74c3a8345dd1c87febf19d282e6100/Billy-Script-Specimen01.png" /><img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/0875e40a0db51f3d36e3ad738040e598e52bb1a81c1b010aefade6278ee36c55/Billy-Script-Specimen03.png" data-mid="137732173" border="0" src="https://freight.cargo.site/w/1000/i/0875e40a0db51f3d36e3ad738040e598e52bb1a81c1b010aefade6278ee36c55/Billy-Script-Specimen03.png" /> <img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/ab2be077ffabccc9c7ebb51fd4c315b400455be28d8e897f173e8f8c78ef6c93/Billy-Script-Specimen05.png" data-mid="137732179" border="0" src="https://freight.cargo.site/w/1000/i/ab2be077ffabccc9c7ebb51fd4c315b400455be28d8e897f173e8f8c78ef6c93/Billy-Script-Specimen05.png" /><img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/bf161d85d9e217a4ce49006db7d5b3800c7cfa6353a0135b5d2ae4426ebc45e9/Billy-Script-Specimen07.png" data-mid="137732190" border="0" src="https://freight.cargo.site/w/1000/i/bf161d85d9e217a4ce49006db7d5b3800c7cfa6353a0135b5d2ae4426ebc45e9/Billy-Script-Specimen07.png" /> Charles Schulz in Greek https://ateliergeorgiou.com/Charles-Schulz-in-Greek Sun, 27 Mar 2022 21:15:11 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Charles-Schulz-in-Greek Drawings for a greek version of the Charles Schulz fonts, made for a greek edition of the ︎︎︎Peanuts︎︎︎ comic strips, published by ︎ Kathimerini ︎&nbsp; <img width="7500" height="5000" width_o="7500" height_o="5000" data-src="https://freight.cargo.site/t/original/i/7e167f09ba7be93abd37f8c05a7e8c7d0fbc40100017fb054dab9ec33ab25eb7/schoultz-greek-fonts.png" data-mid="137729523" border="0" src="https://freight.cargo.site/w/1000/i/7e167f09ba7be93abd37f8c05a7e8c7d0fbc40100017fb054dab9ec33ab25eb7/schoultz-greek-fonts.png" /><img width="7500" height="5000" width_o="7500" height_o="5000" data-src="https://freight.cargo.site/t/original/i/b536461ce634f4020e9c6ed4e1a47a8066ed66c4f55a2b1a1067738bd343437d/schoultz-greek-fonts2.png" data-mid="137729532" border="0" src="https://freight.cargo.site/w/1000/i/b536461ce634f4020e9c6ed4e1a47a8066ed66c4f55a2b1a1067738bd343437d/schoultz-greek-fonts2.png" /><img width="7500" height="5000" width_o="7500" height_o="5000" data-src="https://freight.cargo.site/t/original/i/ed74b4baa147cbf2884b5f0337194edf91427c26d04193e1fc0e499ba16ed0ad/schoultz-greek-fonts3.png" data-mid="137729536" border="0" src="https://freight.cargo.site/w/1000/i/ed74b4baa147cbf2884b5f0337194edf91427c26d04193e1fc0e499ba16ed0ad/schoultz-greek-fonts3.png" /><img width="7500" height="5000" width_o="7500" height_o="5000" data-src="https://freight.cargo.site/t/original/i/0beea4866b81d36c9b467be7cb8e63535ee8ca486754ecd697f341fab4cbb4b1/schoultz-greek-fonts4.png" data-mid="137729540" border="0" src="https://freight.cargo.site/w/1000/i/0beea4866b81d36c9b467be7cb8e63535ee8ca486754ecd697f341fab4cbb4b1/schoultz-greek-fonts4.png" /><img width="7500" height="5000" width_o="7500" height_o="5000" data-src="https://freight.cargo.site/t/original/i/3d2c51dab03a4da33ee36a43518c046dca647e254eb80aa1b9b505bb68647325/schoultz-greek-fonts5.png" data-mid="137729549" border="0" src="https://freight.cargo.site/w/1000/i/3d2c51dab03a4da33ee36a43518c046dca647e254eb80aa1b9b505bb68647325/schoultz-greek-fonts5.png" /><img width="7500" height="5000" width_o="7500" height_o="5000" data-src="https://freight.cargo.site/t/original/i/b5f917a37d6c26eb811285b6ce7e07576bb6f474477e3779fa5b3039682cc0cd/schoultz-greek-fonts6.png" data-mid="137729554" border="0" src="https://freight.cargo.site/w/1000/i/b5f917a37d6c26eb811285b6ce7e07576bb6f474477e3779fa5b3039682cc0cd/schoultz-greek-fonts6.png" /> Beausite Greek https://ateliergeorgiou.com/Beausite-Greek Sat, 16 Oct 2021 22:27:30 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Beausite-Greek A greek translation of the typeface Beausite Classic by ︎︎︎Fatype︎︎︎, designed by Yassin Baggar. The project was commisioned by ︎︎︎&nbsp;DpS/Athens&nbsp;︎︎︎ to be used exclusively at the Athens Epidaurus Festival’s 2021 season <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/00f4fe4a2cf51d58ced987a617c9621f28f3ebb71a539569eb427ff990cc3433/letr_gray.jpg" data-mid="121791990" border="0" src="https://freight.cargo.site/w/1000/i/00f4fe4a2cf51d58ced987a617c9621f28f3ebb71a539569eb427ff990cc3433/letr_gray.jpg" /> A 1970s version of Helvetica Greek on a sheet of transfer lettering by Letraset <img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/68dfb0ce05ad8b042d266d047ea637ead36c5060b8436af83d22d6f0f152526e/papazoglou-font-03.png" data-mid="121791645" border="0" src="https://freight.cargo.site/w/1000/i/68dfb0ce05ad8b042d266d047ea637ead36c5060b8436af83d22d6f0f152526e/papazoglou-font-03.png" /><img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/ec1b269270e73b81c1c2441d9d25c51cb2ca41b4d3cac6474ace4e244722d657/papazoglou-font-02.png" data-mid="121791646" border="0" src="https://freight.cargo.site/w/1000/i/ec1b269270e73b81c1c2441d9d25c51cb2ca41b4d3cac6474ace4e244722d657/papazoglou-font-02.png" /> <img width="4096" height="4096" width_o="4096" height_o="4096" data-src="https://freight.cargo.site/t/original/i/565dc2246299ef5bdbcdd17542f43e4ac32bd3541e1b5a72c3603f7cc12768d2/papazoglou-font-01.png" data-mid="121791647" border="0" src="https://freight.cargo.site/w/1000/i/565dc2246299ef5bdbcdd17542f43e4ac32bd3541e1b5a72c3603f7cc12768d2/papazoglou-font-01.png" /> The typeface was used troughout the Festival’s identity. Pictured on the right, a limited screen printed poster, designed by ︎ Dimitris Papazoglou&nbsp;︎ <img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/9bac07b98b66c1fafd93cf554ed7c6f173e5b9f871a3ac863fb0d223afd6f5ee/papazoglou-02.jpg" data-mid="121791649" border="0" src="https://freight.cargo.site/w/1000/i/9bac07b98b66c1fafd93cf554ed7c6f173e5b9f871a3ac863fb0d223afd6f5ee/papazoglou-02.jpg" /> AGIT 2020 https://ateliergeorgiou.com/AGIT-2020 Wed, 17 Mar 2021 16:40:21 +0000 Vassilis Georgiou https://ateliergeorgiou.com/AGIT-2020 ︎ AGIT is a typeface created collectively by the students of the workshop “The agitated image, type workshop inspired by lettering found on public space”. The workshop was conducted with ︎︎︎ Katerina Antonaki&nbsp;︎︎︎ and organised by the ︎Polish-Japanese Academy Of Information Technology ¶ Each student is assigned with a few letters, numbers and symbols (e.g. A, f, 8, @ etc) ¶ Each student, in very limited time, freehand draws (or writes) the assigned characters, following found examples ¶ The drawings are digitized, vectorized and inserted on a font file, so that, quickly, a workable latin font with all the student’s letters is created&nbsp;︎ <img width="2268" height="1276" width_o="2268" height_o="1276" data-src="https://freight.cargo.site/t/original/i/d6085b2373727232acdd0f8cd3aabcf177df8b6567f1a37538b5ca07a8f18107/AGIT-2020-02.png" data-mid="102357539" border="0" src="https://freight.cargo.site/w/1000/i/d6085b2373727232acdd0f8cd3aabcf177df8b6567f1a37538b5ca07a8f18107/AGIT-2020-02.png" /> <img width="2268" height="1276" width_o="2268" height_o="1276" data-src="https://freight.cargo.site/t/original/i/5bd8638b1d4079fc9636b80f621af2eca12e2e45cf16c58bba8ccaf367d31f0b/AGIT-2020-03.png" data-mid="102357540" border="0" src="https://freight.cargo.site/w/1000/i/5bd8638b1d4079fc9636b80f621af2eca12e2e45cf16c58bba8ccaf367d31f0b/AGIT-2020-03.png" /> <img width="2268" height="1276" width_o="2268" height_o="1276" data-src="https://freight.cargo.site/t/original/i/cff1baf59e64b2de0b041347e23b2efd8a45b8a89909f97c076176b82d900fe6/AGIT-2020-05.png" data-mid="102357544" border="0" src="https://freight.cargo.site/w/1000/i/cff1baf59e64b2de0b041347e23b2efd8a45b8a89909f97c076176b82d900fe6/AGIT-2020-05.png" /><img width="2268" height="1276" width_o="2268" height_o="1276" data-src="https://freight.cargo.site/t/original/i/43da65124d275aa2cb82e055faa1576878450fbfaf283975745e4d342e684b41/AGIT-2020-04.png" data-mid="102357543" border="0" src="https://freight.cargo.site/w/1000/i/43da65124d275aa2cb82e055faa1576878450fbfaf283975745e4d342e684b41/AGIT-2020-04.png" /> <img width="2268" height="1276" width_o="2268" height_o="1276" data-src="https://freight.cargo.site/t/original/i/b4d7dd406cc1237db3e507de91a553d172fe98cba99b90c883d5817d3ef84f3b/AGIT-2020-06.png" data-mid="102357548" border="0" src="https://freight.cargo.site/w/1000/i/b4d7dd406cc1237db3e507de91a553d172fe98cba99b90c883d5817d3ef84f3b/AGIT-2020-06.png" /> ︎ The letters where created by: Izabella Dunajska, Weronika Michalska, Laura Chojnacka, Kirill Varlamov, Sarah Thompson, Daniil Vereshchahin, Maja Kopyra, Sebastian Iwanowski, Eleftheria Politi, Natalia Przybysz, Kinga Ostapkowicz, Simos Karadimitros, Anastasiia Ivanova, Kacper Jaroszynski, Konstantinos Mouchas, Kamila Rózanska, Marina Karapiperi, Alina Varanchykhina, Natasza Pierzchala-Suska, Solomiia Zdorova, Marharyta Zhukouskaya, Jakub Zdankowski, Lauren Smith, Magda Tzortzoglou, Roisin Jordan, Viktoryia Mialeshka, Aishabibi Zhanabilova, Alesia Kuzmenkova, Alesia Aliakhnovich, Benjamin Patterson, Alicja Podstolska, Luke Smullen Ghost Town https://ateliergeorgiou.com/Ghost-Town Fri, 05 Feb 2021 17:16:33 +0000 Vassilis Georgiou https://ateliergeorgiou.com/Ghost-Town <img width="1920" height="821" width_o="1920" height_o="821" data-src="https://freight.cargo.site/t/original/i/3b398931a227e86541047216540bc84754ec3febac2ed6991924c3257852deff/ghost-town-castle.png" data-mid="97917740" border="0" src="https://freight.cargo.site/w/1000/i/3b398931a227e86541047216540bc84754ec3febac2ed6991924c3257852deff/ghost-town-castle.png" /> ︎︎︎Ghost Town︎︎︎ is a display typeface, designed with ︎ Omiros Panayides ︎ with Greek and extended Latin character support ¶ Extremely condensed and extremely thin, Ghost Town is a typeface with intense character <img width="1920" height="1098" width_o="1920" height_o="1098" data-src="https://freight.cargo.site/t/original/i/95afb27ce89fd17d2ac924fa2d1ac73b2301f726e0590c92828533a74679b3eb/ghost-town-character-set.png" data-mid="97918273" border="0" src="https://freight.cargo.site/w/1000/i/95afb27ce89fd17d2ac924fa2d1ac73b2301f726e0590c92828533a74679b3eb/ghost-town-character-set.png" /> ︎ The typeface began as an offspring of an ongoing research project that attempts to collect, preserve, organize, study and share the visual story-path of the poetry-literature book covers in Cyprus, within the sphere of visual communication ¶&nbsp; Ghost Town’s source of inspiration, is the lettering on the cover of a 1966 book, titled&nbsp; Ονειροπόληση πάνω στα τείχη της Αμμοχώστου by poet Theodosis Pierides and was designed by the Greek artist and Illustrator Dimos Skoulakis <img width="892" height="1274" width_o="892" height_o="1274" data-src="https://freight.cargo.site/t/original/i/bf9a21318a2d6aff0bb06b5b8d52d80fcdc069ec8a2879f766f2751db80ecb06/ammoxostos-gray.jpg" data-mid="97918518" border="0" src="https://freight.cargo.site/w/892/i/bf9a21318a2d6aff0bb06b5b8d52d80fcdc069ec8a2879f766f2751db80ecb06/ammoxostos-gray.jpg" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/f0e420047468201c67516829079e5b57e54182218420d001acdd143044c47336/GHOST-TOWN-ghost1.png" data-mid="97921284" border="0" src="https://freight.cargo.site/w/1000/i/f0e420047468201c67516829079e5b57e54182218420d001acdd143044c47336/GHOST-TOWN-ghost1.png" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/18a6c8200d850560dfe88ce046a5e2c97526647d3c0aa272e6de52f45aef50dd/GHOST-TOWN-ghost2.png" data-mid="97921285" border="0" src="https://freight.cargo.site/w/1000/i/18a6c8200d850560dfe88ce046a5e2c97526647d3c0aa272e6de52f45aef50dd/GHOST-TOWN-ghost2.png" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/d974d266f0af66dd7f61b6f622b82a61751c3ebc3f9223194d94ac16803e98b8/GHOST-TOWN-ghost3.png" data-mid="97921286" border="0" src="https://freight.cargo.site/w/1000/i/d974d266f0af66dd7f61b6f622b82a61751c3ebc3f9223194d94ac16803e98b8/GHOST-TOWN-ghost3.png" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/ec65ddccebdcd0c874e4d7bfca8141eefa7fac9397d50a477dabe2b7009611d7/GHOST-TOWN-ghost4.png" data-mid="97921287" border="0" src="https://freight.cargo.site/w/1000/i/ec65ddccebdcd0c874e4d7bfca8141eefa7fac9397d50a477dabe2b7009611d7/GHOST-TOWN-ghost4.png" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/22326256d99f638dcdfba5b449526b46f0be3955bfabc556d87abf4cdbac4eba/GHOST-TOWN-ghost5.png" data-mid="97921288" border="0" src="https://freight.cargo.site/w/1000/i/22326256d99f638dcdfba5b449526b46f0be3955bfabc556d87abf4cdbac4eba/GHOST-TOWN-ghost5.png" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/8bd1f15fcc9a47979a5d0404caa84f834d3967cf162747848ada1a70443ac31c/GHOST-TOWN-ghost6.png" data-mid="97921289" border="0" src="https://freight.cargo.site/w/1000/i/8bd1f15fcc9a47979a5d0404caa84f834d3967cf162747848ada1a70443ac31c/GHOST-TOWN-ghost6.png" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/425e7c670cabc892691e43ca4cbdb91cfed528d28600ffdcfd2846deb1b152de/GHOST-TOWN-ghost7.png" data-mid="97921290" border="0" src="https://freight.cargo.site/w/1000/i/425e7c670cabc892691e43ca4cbdb91cfed528d28600ffdcfd2846deb1b152de/GHOST-TOWN-ghost7.png" /> <img width="4961" height="2480" width_o="4961" height_o="2480" data-src="https://freight.cargo.site/t/original/i/67e236dfa1473468999a7a577d7d5b7eefc22ac3a52b322a6863a3f70011e770/GHOST-TOWN-ghost8.png" data-mid="97921291" border="0" src="https://freight.cargo.site/w/1000/i/67e236dfa1473468999a7a577d7d5b7eefc22ac3a52b322a6863a3f70011e770/GHOST-TOWN-ghost8.png" /> ︎ Ghost Town is avaliable for free download ︎︎︎ here&nbsp;︎︎︎ <img width="2362" height="1329" width_o="2362" height_o="1329" data-src="https://freight.cargo.site/t/original/i/6328d1e2339526ee67f5a1bb0f2b5bb39ceabc44d586b356b7853a5dcd1ecbd4/gt7.jpg" data-mid="97921914" border="0" src="https://freight.cargo.site/w/1000/i/6328d1e2339526ee67f5a1bb0f2b5bb39ceabc44d586b356b7853a5dcd1ecbd4/gt7.jpg" />